5 Simple Tricks: String Bending
Posted: December 17th, 2016 by Ashley Saunders
String bending is quite tricky, especially if you use more than one guitar as each guitar bends differently. Let’s look at 5 simple tricks to improve your bending skills.
#1 The basics of bending
Bending a string is a bit like twisting a knob, you simple pivot on a point. Place your thumb over the top of the guitar’s neck and use your first finger to create the pivot point. Do not push your fingers up as you’re likely to do damage and won’t have enough strength to execute the bend properly.
There are four common types of bend we use. These are 1/4 tone, 1/2 step, full step and minor 3.
Quarter tone bend
This is the easiest of all bends to get under your hands. Sometimes called a blues curl, a quarter tone bend is slightly pulling the string in either direction. You just want to tweak the string, so that’s a slightly sharp.
Half step bend
Next, we get into playable intervals. A half step bend is the equivalent of playing the next fret up. Try this, play the A note at the 10th fret on the B string. Now, play the 11th fret (which is Bb). Hum that pitch. Now using your third finger on the 10th fret, 2nd finger on the 9th and 1st finger on the 8, push against your thumb and thus twist you hand slightly. You won’t find the correct pitch the first time, but wiggle your hand until what you are playing matches the note which you are humming.
Full step bend
If a half step bend is like playing the next fret up, then a full step bend is like playing two frets up. So using the same idea as above, start with our A note (B string, 10th fret), then play the 12th fret (B note). Bend again using your third finger on the 10th fret supported by the other two fingers. Remember to hum the pitch you are trying to reach and try to match it first time.
Minor third bend
This is like playing a note three frets away from the starting note. Again starting on the 10th fret, the note we’re trying to bend to is the 13 fret or C. Now, the other bends are fairly easily, and reaching a minor third bend will be easier higher up on the fretboard and with lighter strings. It will take some work to get this particular bend right.
#2 Isolate a bend
As you know understand the common bends, let’s looks a few way to reduce suckage! Firstly, sing the note you’re trying to reach. Did your bend hit it the first time? If not, slow the bend down and work on that bend in isolation. Really listen to how you bend, are you slow to reach pitch? Do you over-bend? Are you trying to hear the target note in your head first? Is your bending technique right?
#3 Moving positions
So, you’ve improved your bending in one location, and on one string. That’s great news! What you now need to work on is bending in different positions as how you bend is unique to each string and location. It will require more effort to bend efficiently on thicker string, like the G or D or lower down the fretboard, closer to the nut. As you get past the 12th fret, bending is easier. However, as this is the case, it’s likely you’ll over bend as you’ll try to use the same amount of effort all over the fretboard rather than adjusting to the position.
#4 In the heat of a lick
So, you’ve worked with me on a few ideas and improved your bending in isolation. You now try it in a lick and everything goes wrong. Firstly, we’ll find a lick with the bend at the end. Then, we’ll start painfully slowly, ensuring that we have each note of the phrase under our fingers. When we get to bend, we’ll try and sing the pitch we’re trying to bend to. Again, start slow, getting the phrase right and bending the last note up to pitch. When you’ve got it together at a slow pace, it’s time to dig out a metronome. Work on perfecting the bend and timing, while increasing the speed.
#5 Don’t let your bending suck
As different guitars have their own scale length and string gauge, each guitar bends in it’s own way. Bending a heavy string on a shorter scale will require more work than bending a lighter string on a longer scale length. It’s therefore worth spending time before gigs playing each guitar you’ll use and learning how that guitar bends. If you’re unsure, bend under and add shallow vibrato whilst moving the string to the correct pitch.
Getting your vibrato right is half the battle. While finding pitch gets easier over time, using the wrong type of vibrato will make you sound bad. And we don’t want that, do we?! Most players will only ever use shallow bluesy vibrato when bending. All this means is shaking the string slightly up and down around the pitch. However, you can be really aggressive and wide with vibrato, especially if you’re playing harder rock or metal.